Sometimes
the call to make a photograph originates from more than simply making
a record. In musical composition we are familiar with orchestration
of sound to create mood and to thus get past a rational mind set and
appeal to feeling. So too in the visual arts. Composition, the
intentional use of the elements of design ( colour, line, tone,
texture etc.) to communicate thought is central to painting but is
often overlooked in photography. There is something about using a
machine that purports to give us an accurate reproduction of the
world of things that seems to resist a more nuanced perspective.
In
this set of photographs the subject matter, irises and rhododendrons,
are commonplace enough that we have seen many 'factual'
reproductions. Here I have used my camera to try to capture the
feelings rather than the facts by using a narrow depth of field and
selecting specific angles of view. Colour, light and shadow lead us
into a tone poem of Spring.