It is easy enough to
'photoshop' one's monochrome image but there is another way
altogether that has a different look and harkens back to the early
days of photography; hand tinting.
I have experimented with
adding colour, usually water soluble pencil crayons before now, but
the other day I bought some graphite
powder from Island Blue Print in Sydney for a drawing project. Only
later did I find that I could use it on two matte finish 12x18 black
and white photos that had never seemed quite right. The images were
far too busy with intricate details and I had put them aside. With
nothing to loose, I started rubbing the graphite powder into areas on
my Burgoyne image that I wished to tone down and later pulled fine
detail back up with a sharp eraser. A touch of colour in a foreground
detail for accent and I had created a one-and-only photo. A quick
spray of odour free varnish sealed everything in.
In the
second, Ruckle Park beach photo, the back lighting in the
mid-distance was overpowering and I solved this in the same way,
toning down the bright trees and emphasizing some detail in the
foreground, altering the emphasis among the textural and tonal
relationships.
These
were subtle adjustments, but the sky is the limit when you start to
hand adjust your printed images. The feel is quite different from
doing this in advance on the computer screen, it is closer to
darkroom manipulation, but making adjustments directly on the paper
print has a directness, a personal touch and uniqueness that is very
satisfying.
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