I
recently painted and then mounted a bird-form piece of driftwood on
the top of a tall pole in my yard. Not difficult to make and only
mildly dangerous up the ladder, but a challenge to photograph later.
From ground level, even with my maximum zoom lens, it still looked
like a tiny blob so out came the step ladder which I could move
around to try different angles. From one angle the 'Raven' was
bigger, but still a black silhouette, and when the sun burned through
the overcast I had glare into the lens. Only then did I realize that
my 'problem' was really my best creative solution. Raven, in coastal
mythology is the one who stole light and released it into the
heavens, and here, if I could control it, was Raven and the sun
together. By putting the bright light behind a fir branch and then
turning the camera to achieve a more dynamic angle for the pole I got
a useful shot.
I
also decided to photograph the crow on its nest of twigs that faces
back across the driveway towards Raven. Once more I used the step
ladder, tried a number of angles and settled on one that showed the
detail of the carving, its forward leaning stance and 'nest'.
There
was something creative but practical about this self assignment. In
reality, although the subject matter was unusual, the same concerns
applied here as in any other photograph, how to achieve the best
possible image within the lighting and physical conditions present at
the time. As in a wedding assignment, or garden spread for a magazine
for example.
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