To understand art is to be
able to grasp in some meaningful way its vitality. The vitality,
what Hofmann calls its 'spirit', is always there and apprehensible in
great paintings. We just have to give a little, we have to admit that
we can feel the vitality and experience the reality.
'Hans
Hofmann' edited by James Yohe,
In a recent post I tried to show
that while new ideas were necessary in the arts to keep us on our
toes and mere repetition of the old and traditional did not challenge us,
that it was not in the end as simple as that:
It seems that the 'art' part
of the vast quantity of art production is a very ephemeral quality
and is not directly tied to the new and novel or to the familiar or
traditional.
What
then is that 'ephemeral' quality that is at the center of the arts?
If not pushy and new and not traditional, then perhaps we are framing
the question as an 'either or' on a time line while the answer may
lie somewhere or somehow else.
In
the above quote from this beautiful book about Hofmann's work and
thought we are lead into a realm that is best approached intuitively
and not through categories. When Hofmann, uses the word 'spirit' we
may automatically step back, but the word 'vitality' carries no such
baggage to trip us up before we enter. Great paintings, (and other works) of all
sorts and from all eras and cultures have a vital
quality that communicates if we can 'give a little, 'feel
the vitality and experience
the reality'.
How
do we judge, evaluate, quantify to know where on the scales to place
a work of art? What is a work of art worth then? Even monetarily? In
the end these are questions best answered by the business of art
marketing. If we wish to really understand
we have to stop seeking to intellectually 'understand' and begin to
let that 'spirit', that 'vitality' work its magic in our relationship
with a work of art that has taken the ephemeral and formed a reality
that we can apprehend if we have the mind set to follow the messenger
and participate in its voyage.
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