The dory slides off the trailer
and onto its own set of wheels for the last part of its travels so
far this morning, - down the beach, across the sand and into the
sea.
Photo by Nicole |
This little 14 foot plywood
boat has had a long and exciting life with our family. As the dinghy
on 'Shiriri', our 50 foot gaff rigged traditional 'fisherman'
schooner, she had performed all the exciting small boat work that
went along with our Pacific voyages. Now, home again, she slides back
into the sea for a little journey with me and two International
students to Russell island. One might be tempted to think that this
is small potatoes after her voyage down the Murray River in Australia
or those exciting tropical reef journeys, but no, here lies the
potential for a fully satisfactory experience for my passengers and
if so it will be rewarding for me as well. Besides, there is no such
thing as a boring voyage if one keeps one's senses sharp and focused!
We attempt to sail at first,
there is a light breeze headed in the right direction, but down comes
the little lugsail again when we are not getting anywhere very fast.
This practical decision dates back to our ocean sailing days where
the dinghy's function was to move us efficiently and not simply to
provide an aesthetic sailing experience. Out with the oars and we row
directly for our first way-point at Indian Point at the entrance to
Saltspring Island's Fulford Harbour. From there it is but one more
short crossing, and so an hour and a quarter after launching we are
pulling our boat up on the island's white shell beach, tying her
painter to a rock and eating lunch while watching the wildlife - the
porpoises, eagles and otters -, and reveling in the warm March
sunshine. Ah, blue sky, after the long days of overcast weather we
have lived with all winter.
My passengers go off for a walk
on this small part of Gulf Islands National Park and I
begin to draw the world around me in a sketchbook. This book has
drawings from twenty or more years before of other camping holidays
and I have since used the information in many of these drawings for
brush and ink paintings. As with my use of the dory, my sketching tends
to be practical and functional - a way of observing and documenting,
of thinking, rather than as a defined 'art object'. Today I have sent
my passengers to explore by themselves, and I am filling my solitary
hour in a productive way. I could have brought my camera but felt a
need to sharpen up my 'seeing' skills, and drawing is the best way I
know of doing that. A photograph is a matter of a second, a drawing
can take many minutes. By the time the girls come back I have
noticed a thousand details and recorded the most important; the forms
of the sandstone rocks, the shadows along the shady side on the
shore, the tree types and their characteristic forms, how the wharf
has been constructed and the warden's boat tied up alongside the dock. I turn the page and draw the rounded forms of drift logs and
the bright shell beach directly before me. There is a deep
satisfaction in this faithful record making. A way of saying to the
world in all its complexity, “I see you!”
Soon it is time to head for home
and the promising breeze is fluttering the leaves and moving the
smaller branches. We can hear its murmer and also see the waves building in
the passage back to Indian Point. We push off, raise the sail and
this time have a fast crossing. I am having such a lovely time,
with the sheet controlling the sail clasped in one hand and an oar
clutched over the side to steer with in the other. The sail fills
roundly, the water chuckles under the bow and bubbles down the lee
side. Our dory has a voice once more and is reminding me of all
those other adventures this boat and I have shared.
One last gust of wind, a
quickly eased sheet and then a final surge into the sheltered lee of
the point. Out with the oars again for the long pull up the harbour,
back on the wheels,up the beach and onto the trailer and home once more. Just a
little trip, but so rewarding. I have it down in black and white.
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